If the composer says in effect to the performer: "I do not care whether you perform my music or not," we cannot argue the matter.
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Full version, Garritan Jazz & Big Band, Garritan Concert and Marching Band, Windows Vista 32-bit SP1, 4GB RAM, Soundblaster Audigy II zs Woodwind specialist and doubler - Finale 2011! using Speedy Entry - no capslock, GPO 2nd ed. There's even a section where a descant is overlaying a 12/8 figure (four groups of 3 eighth notes) on top of 2+2+2 or 4+2 or 6. Sometimes it's 2+2+2, sometimes it's 4+2, sometimes it's flat out 6. Now, I might be tempted to write it myself as 4/4 with a measure of 2/4, but what if the composer didn't ask me, and I don't have that liberty? 6/4 it is, then.I just finished a work with a prominent section of 6/4. Now, I might be tempted to write it myself as 4/4 with a measure of 2/4, but what if the composer didn't ask me, and I don't have that liberty? 6/4 it is, then. In a passage of 4/4 where there is one measure with 6 beats instead of 4, 6/4 would be preferred to 3/2, as it preserves the same pulse value. To those who point out that 2+2+2 quarter notes is actually 3/2, sometimes it is notated as 6/4 anyway and an engraver has to reproduce it. Think that 6/4 is a compound time signature 1-23 2-23.įinale 2011, OS X 10.5.8 / MacBookPro & iMac 20" / Logic Studio 8, Peak Express 6 / InDesign CS4 Usually never one rest over even-odd rest. Since 6/4 (in most cases) are subdivided as either 3/4+3/4 or 2/4+2/4+2/4, it really depends on the music You'd use the longer rest on the big beat but not otherwise. Two-beat 6/4 is analogous to 6/8, I think. OS X 10.5.8 Dual 2.0 PPC 4GB RAM Finale 2011 Digital Performer 7 You want to keep the phrasing (including how the rests lay on the page) consistent with the music as much as possible. Tobias Giesen's plugins, full version, Robert Patterson plugins, Dolet 5 plugin Scott Ross wrote a good book about these kinds of musical rules and traditions. If the first note in the measure is an 8th note, you shouldn't use a dotted quarter rest to fill up the measure, but an 8th rest followed by a quarter rest. In 6/4 if a quarter begins a beat, you should never use a half rest to fill out the beat. As soon as it becomes three groups of half notes (or two quarters), it is no longer 6/4 and becomes 3/2, in which different rules apply. There may be sections with an emphasis shift but it still is basically in two. In addition it should be pointed out that 6/4 time is always a complex duple meter, i.e.
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OSX 10.6.4, Finale 2011a w/ GPO & JABB, Patterson Plug-Ins, TG-Tools, QuickKeys 3, Logic Studio 8, Adobe CS3, FontLab Studio 5, FontExplorer X Pro Intel Core 2 Duo, 4 GB RAM, RME Hammerfall DSP Multiface, Samsung SyncMaster 245b The important thing is that the distribution of rests (and notes for that matter) clearly illustrate the subdivision.ġ5" MacBook Pro 2.6 Ghz. If the subdivision is 2/4+2/4+2/4, I would use a quarter note rest on beats 2 and 3, and a half note rest on beat 5/6 (a half note rest per subdivision). If the subdivision is 3/4+3/4, I would use all quarter note rests (a dotted half note rest for each subdivision). Since 6/4 (in most cases) are subdivided as either 3/4+3/4 or 2/4+2/4+2/4, it really depends on the music. Is one way more 'acceptable' in any sense? Should I use quarter note rests (crotchet rests) or half note rests (minim rests).
I have a measure of 6/4 time with a quarter note on beats 1 and 4.
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